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     To determine my emblem, I thought about the images and punctums from each discourse, as well as my burning question, as I went through the images from Final Fantasy X again.  To go through the images, I opened the folder on my computer where I had them all saved, changed the explorer view to include large icons and then used the down arrow on my keyboard to go through the rows of images.  By viewing the images at this size, I could identify the subjects in the image well enough while also being "far enough" from the image to allow for details and/or useful illusions to become more visible.

     While I was working on the discourses, I started to have ideas about what this emblem was going to be, but I still needed to go through the process of looking at the images, just to be sure.  The first image in the gallery below is the emblematic image for this mystory, but the pyrefly itself is the actual emblem.

Phonemes strokes ideas
DNA droplets breath spark
Pieces fall to place

Essence

Wandering Flame

Emblem

Review the images and content of the discourses. Using conductive reasoning and the burning question, find the theme that runs through the discourses. Once the theme is found, find (or create) an image to represent this theme.

 

The gallery above describes the different properties of pyreflies.  Immediately below I connect the pyreflies and discourses.  Below that, I go into further detail about how the first image in this gallery is the emblematic image for this mystory.  [Warning, there are a lot of unmarked spoilers on this page.  (Pyreflies are just that important.)]

 

Connect the Disc(ourse)s

 

Family

Review: In the family discourse, the scales of Libra were my emblem of decision making, and the memories that stuck out in my mind were that of seeing a fiery cloud when I was about six and that of seeing my shadow walking toward the foot of my bed.  To end this discourse, I chose a Final Fantasy X poster that best emblemized this discourse.

 

Connections:

  • Libra

    • Libra is a constellation, and pyreflies look like moving stars.  In fact, their presence at Moonflow River makes the river look like "a sea of stars" (Martin).

    • Libra is a symbol of justice that should not be biased.  

      • Pyreflies are ambiguous and take the forms of fiend (enemy monsters) and aeon (ally monsters) alike.

    • If pyreflies are like the stars of a constellation, their movement is analogous to the constantly changing world and the effect that different points of view have on the interpretation of a subject.

  • Memories

    • Pyreflies are used to collect and preserve memories (ex: spheres and Zanarkand)

    • Both of the memories I documented may not have physically occurred, and my impression of their existence in reality may be an illusion.  

      • Pyreflies in the Farplane are like will-o-wisps that conjure illusions, or ghostly images, of dead people.

    • The stick figure people in the first memory have no torsos, which means that they cannot actually live.  Their lack of life makes them ghosts.  

      • Ghosts in FFX are maintained by pyreflies.

  • Poster

    • There are pyreflies in the image

    • Tidus and Yuna represent the Sun and Moon respectively, which means that pyreflies could be the stars.

    • Auron is an unsent/ghost, and maintains his form through pyreflies.

    • Auron is a kind of guide, and pyreflies provide a light that could potentially be used to navigate dark locations.  (as pyreflies are morally ambiguous, it cannot be said that they actively guide anyone to a specific place)

    • Auron's holding back of information allows the other characters to make their own decisions and to react in their own ways.  This makes him seem somewhat ambiguous in addition to aloof, and pyreflies are ethically ambiguous.  In their normal firefly-like state, pyreflies could also be considered aloof as they do not actively attempt to communicate with other living beings.

 

 

Career

Review: In the career discourse, I examined the art of remix as a founding invention in the career domain of fantasy writing.

 

Connections:

  • Fantasy

    • Pyreflies live in SquareEnix's fantasy world of Spira

    • Pyreflies look similar to how some have depicted fairies (ex: Navi from Legend of Zelda)

    • Pyreflies compose many creatures that are connected to fairy stories and mythologies.

    • Pyreflies perform actions that would be considered mild miracles in the/our physical world.

  • Remix 

    • Pyreflies are the base elements for remix:

      • In order to turn himself into a fiend, Seymour had to remix the pyreflies that made his human form with the pyreflies from nearby servants to take his initial form.  For his second fiend form, it can be assumed that he remixed his pyreflies with those of the Ronso that he killed.  For his final form, it can be assumed that Seymour used some of Sin's multitude of pyreflies.  

      • Similarly, Yunalesca used the pyreflies in Zanarkand to take her fiend form, and Jecht used Sin's pyreflies to take his possessed aeon form.  The only other unsent that the party battles is a summoner that Lulu previously guarded.  This unsent has lost her humanness but chooses to use a summoned moster to fight instead of becoming a fiend.  I assume that the reason she did not become a fiend is that she did not allow for her pyreflies to be mixed with pyreflies around her.

      • Aeons (summonable monsters) are formed by "The dreams of the fayth reach[ing] through the spirit of the summoner" (Summer, 2006), which pyreflies then shape into physical beings.  This means that a mixture of fayth dreams, summoner spirit, and pyreflies creates aeons.

      • Pyreflies can be used to create fiends (enemy monsters), aeons (friendly monsters), spheres (video recording and playback devices), unsent (ghosts), locations (Sin is made completely of pyreflies and yet the group has to navigate multiple settings that include platforms, labyrinths, and arenas), and illusion (images of dead people on the Farplane).  This is much like how components of different works can be combined to create "new" works or how different mediums can be remixed to tell a "new" story.

    • As pyreflies are associated with the dead, they are a sign that sacrifices must be made in order to create successful remixes.

 

 

Entertainment

Review: In the entertainment discourse, I documented the detail from Final Fantasy X that Jecht and Tidus, a father and son who defeat Sin, are God/Christ figures and that the Bevelle fayth may be the God/Holy Ghost figure.

 

Connections:

  • Jecht and Tidus are dreams of the fayth.  Dreams seem as if they might be made of some of the same stuff as pyreflies as Tidus' body takes on colors that are similar to pyreflies' colors when he begins to fade.  Also, the pyreflies fly through Tidus much in the same way that they have been seen flying through the unsent/ghosts.  The only difference is that the unsent's pyreflies tend to hover around the body while Tidus' pyreflies just pass through him as they trek to a distant point in the sky.

  • Pyreflies are a responsible for creating many illusions in Final Fantasy X.  Dreams are kind of illusion.

  • Jecht (father)

    • Jecht use pyreflies to take his aeon form.

  • Tidus (son)

    • While dreaming at the peak of Mount Gagazet, images of Tidus' companions appear, surrounded by pyreflies.  This denotes that those characters do not belong in dream Zanarkand. 

  • Fayth (ghost)

    • During Tidus' dream, the fayth is surrounded by pyreflies

    • Fayth are a kind of ghost, and ghosts are made of pyreflies

    • Dreams of fayth reach through summoners and become real beings via pyreflies.

    • The projected images of fayth are similar to the projections of spheres (this world's video technology) which owe their function in part to pyreflies.

 

 

History

Review: In the history discourse, I examined the story of the 26 martyrs of Japan.

 

Connections:

  • Statues

    • Statues of saints are like grave markers.  Those who want to visit the dead visit the statues and grave markers as if they hold some essence of the dead person.  

      • In the world of Final Fantasy X, this essence is produced as holographic images by pyreflies.

    • Fayth, like martyrs, willingly give up their lives for a greater cause.  The fayth's spirit is visible via pyreflies, and the aeons they produce (with the summoner's help) are also made from pyreflies.

 

 

Emblematic Image

 

References

 

Arroyo, Sarah J. (2013). Participatory Composition. Video Culture, Writing, and Electracy. Carbondale: Southern Illinois UP. Print.

 

A basic Buddhism guide: Introduction to Buddhism. A Basic Buddhism Guide: Introduction to Buddhism. Retrieved on Mar. 10, 2014 from http://www.buddhanet.net/e-learning/intro_bud.htm

 

Buddhism at a glance. (Nov. 17, 2009). BBC News. BBC. Retrieved on Mar. 10, 2014 from http://www.bbc.co.uk/religion/religions/buddhism/ataglance/glance.shtml

 

Buddhism. PBS. Retrieved on Mar. 10, 2014 from http://www.pbs.org/edens/thailand/buddhism.htm

 

Confucianism. Confucianism. Retrieved on Mar. 10, 2014 from http://confucianism.freehostingguru.com/

 

Fast facts on Hinduism. Fast Facts on Hinduism. Retrieved on Mar. 10, 2014 from http://www.religionfacts.com/hinduism/fastfacts.htm

 

Gaijin Goombah. YouTube. Retrived on Apr. 9, 2014 from https://www.youtube.com/user/GaijinGoomba/videos?sort=p&flow=grid&view=0

 

Hinduism at a glance. (Sept. 29, 2009) BBC News. BBC. Retrieved on Mar. 10, 2014 from http://www.bbc.co.uk/religion/religions/hinduism/ataglance/glance.shtml

 

Martin. Final Fantasy X. Final Fantasy: Worlds Apart. Retrieved on Mar. 10, 2014 from http://www.ffwa.org/ff10/script.php?page=p1-01

 

MatthewPatick. The game theorists. YouTube. Retrived on Apr. 9, 2014 from https://www.youtube.com/user/MatthewPatrick13/videos?flow=grid&sort=p&view=0

 

Naofusa, Hirai. (Sept. 5, 2006) The history of shrines. Kokugakuin University. Retrieved on Mar. 10, 2014 from http://eos.kokugakuin.ac.jp/modules/xwords/entry.php?entryID=696

 

Nine beliefs of Hinduism. Basics of Hinduism. KAUAI'S HINDU MONASTERY. Retrieved on Mar. 10, 2014 from https://www.himalayanacademy.com/readlearn/basics/nine-beliefs

 

Shintoism. (Aug. 2012) Shintoism. Retrieved on Mar. 10, 2014 from http://www.asahi-net.or.jp/~qm9t-kndu/shintoism.htm

 

Shinto at a glance. (Oct. 7, 2011) BBC News. BBC. Retrieved on Mar. 10, 2014 from http://www.bbc.co.uk/religion/religions/shinto/ataglance/glance.shtml

 

Shinto Online Network Association. (2006). What is Shinto?. What Is Shinto?. Retrieved on Mar. 10, 2014 from http://jinja.jp/english/s-0.html

 

Summers, P. (2006). GameFAQs: Final Fantasy X (PS2) Game Script by Shotgunnova. GameFAQs. Retrieved on Mar. 10, 2014 from http://www.gamefaqs.com/ps2/197344-final-fantasy-x/faqs/43142

 

Ulmer, Gregory L. (2003). Internet Invention: From Literacy to Electracy. New York: Longman. Print.

 

Woodward, Kenneth L. (1996). Making Saints: How The Catholic Church Determines Who Becomes A Saint, Who Doesn't, And Why. Google Books. Simon and Schuster. Retrieved on Mar. 10, 2014 from http://books.google.com/books?hl=en&lr=&id=JImU5EZo7O8C&oi=fnd&pg=PR11&dq=criteria+for+catholic+sainthood&ots=ow2BtkG1Kh&sig=pH8epea1fqxfTf4NqKsg1fGJZXw#v=onepage&q&f=false

This image is of Seymour as he kills his attendants in order mix their pyreflies with his own to become a fiend.  Originally, I thought that the legs to the right of the pyrefly cloud were Seymour's.  When I reorganized my images to determine at which point this scene was taking place, I came to realize that the legs actually belonged to Kimahri, the Ronso, who had lanced Seymour's unsent body just prior to Seymour's remixing of pyreflies.  Below, I've included a crude drawing to mark where Seymour and Kimahri are located as well as a video of the scene.  The video I included has Japanese audio with English subtitles and is from ViewtifulLifeBane's YouTube channel.  I chose to use this video instead of one that has English audio as this video opens with the scene I've just discussed.

Seymour in a cloud of Pyreflies
drawing of Seymour and Kimahri's location in this scene

      If I examine this image using the burning question, "What did Final Fantasy X do correctly to avoid causing offense?" the following "answer" can be claimed.  What Final Fantasy X did correctly is that they reduced the elements they wanted to mix to their most basic form (represented here as the pyreflies) and then remixed these essences to build something new.  This doesn't seem like a novel idea in and of itself, but let's take a closer look at the religion of Yevon as an example.

 

The religion of Yevon is made up of the following [game script excerpts are from Summers (2006)]:

  • Teachings/Professed information

    • Yevon is almighty

      • he is credited for many things: "Praise be to Yevon"

      • followers ask Yevon for things, "On to the temple, where we pray for victory!"

      • his teachings should be followed

    • The people are expected to pray to receive salvation

      • "I'm sure you followed the teachings, before the toxin got to you, of course. Go pray at the temple, and all will return in time."

    • Sin was born because the people used machina, 

      • "But you Al Bhed use the forbidden machina! You know what that means? Sin was born because people used machina!"

    • Machines, particularly ones used for war, should not be used 

      • "They say our machina violate the teachings, eh? Nonsense!  These machina have Yevon's approval. Don't mix them up with the forbidden ones, got it?"

    • The people should strive to beat Sin

      • "Sin will be gone once we atone for our past mistakes!"

      • Regarding an attack on Sin, using forbidden machines, "Although it may be sacrilege to Yevon, their intentions are pure."

    • To truly defeat Sin, the people must atone, 

      • "Sin is our punishment for our vanity. And it will not go away until we've atoned."

    • Sin can only be killed by aeons

      • "The Final Summoning. It's the only way to defeat Sin. The only way. With it, we can call the Final Aeon."

    • Summoners must pray at every temple and receive the temple's aeon before reaching Zanarkand

      • "I have to pray to the fayth in every temple in order to earn the Final Aeon."

    • Zanarkand is a holy city where the final aeon awaits.

      • "Don't tell anyone you're from Zanarkand, okay? Yevon says it's a holy place. You might upset someone."

      • " The Fayth of the Final Summoning lies waiting in the far north, to greet summoners that complete their pilgrimage. At the world's edge...in Zanarkand."

    • The fayth are holy supports of the Yevon faith.  

      • "The fayth are people who gave their lives to battle Sin. Yevon took their souls, willingly given from their still-living bodies."

    • The dead should be guided to the Farplane so that they will not become fiends

      • "It is a summoner's sacred duty to send the souls of the departed to the Farplane!"

    • Only summoners are allowed in the chambers of the fayth (the temple's holy place)

      • "The chamber beyond is a sacred place. Only summoners may enter."

    • Only summoners and their guardians are allowed in the cloister of trials (the testing ritual preceding the chamber of fayth)

      • Tidus is pushed on the elevator to Kilika's cloister of trials.  The game won't continue until you meet everyone at the door to the chamber of fayth.  "Only guardians allowed, and I'm sure no guardian. Well, I guess it's too late now."

    • Summoners are chosen,

      • "The summoners are practitioners of a sacred art, sworn to protect the people of Yevon. Only a chosen few become summoners, who call forth entities of greater power: the aeons. The aeons hear our prayers and come down to us. They are the blessing of Yevon."

    • Requires that followers consider themselves children of Yevon, or Yevonites

      • Those who oppose the religion are called heathens and traitors and are thus exiled as was Yuna

 

 

  • Behind the Scenes (founding) information   

    • At the time of the machina war, Zanarkand was a city of summoners who used machina for pleasure and Bevelle was a city of machina who used machina for war

    • Yevon summons Sin

    • Yevon is no longer human

    • Zanarkand was the first city Sin destroyed when Yevon lost his humanness

    • Zanarkand is where Yunalesca created the first final aeon, and is where she waits to create this same weapon for future summoners

    • Yunalesca provided the teachings that founded the church

    • Sin is never ending, but the world of Final Fantasy X must not be made aware of this

    • The unsent of a select few (Yunalesca primarily, and Mika secondarily) are necessary for the world to maintain hope of peace

    • Sin was born to protect the dreaming fayth on Mount Gagazet, and, as part of this, was commanded to destroy places with large populations or high dependence on machina.

 

As has been discussed in other parts of this mystory, this religion has strong associations with Catholicism; however, a number view this game as anti-organized religion instead of anti-Catholic.  I think that SquareEnix needed to create this illusion so that the game could sell. This, in turn, may give my theory about how they achieved this some ghostly legs to stand on.  I believe that they achieved this illusion by first breaking down Catholicism to its barest bones (or pyreflies).  The pyreflies regarding appearance (clothing, names, architecture, etc.) were set aside for later mixing.  The ones that remained were matched with elements from other religions (even if some matches were loose).

 

The below list is of principles that a sample of religions have in common with and may have inspired the Yevon religion

  • Multiple religions

    • people should strive to be good

      • the world of Final Fantasy X must strive for atonement

  • Pre-Christ Judaism (according to the old testament Bible)

    • God is almighty (Genesis 35:11)

      • Yevon is almighty

    • A single act (eating forbidden fruit) allowed sin to enter the world (Genesis 3:14-24)

      • Sin is said to have been born by the use of forbidden machina.

    • routine sacrifices had to be made to atone for sins (Leviticus 1-6)

      • routinely summoners were sacrificed

    • only priests were allowed to enter the most holy place of the temple (Numbers 18)

      • only summoners could enter the chamber of fayth

    • eating certain animals made you unclean (Leviticus 11)

      • use of machina was taboo

    • requires that the laws in scriptures be followed (Psalm 1:1-6)

      • believers of Yevon ran the government and marked anyone who doesn't follow the teachings of Yevon a traitor

    • require only Judaism be followed (Exodus 34:14) 

      • it is thought that only the teachings of Yevon could save the world of Final Fantasy X

    • ​afterlife consists of heaven and hell (Daniel 12:2)

      • there is an afterlife called the Farplane which is beautiful and suggests a heavenly state

    • the guidance of priests are needed for salvation (Leviticus)

      • summoners are needed to guide dead souls to the Farplane

  • Christianity/Catholicism (according to earlier research for this project and the Bible)

    • God is almighty (Genesis 35:11)

      • Yevon is almighty

    • beneath God/Jesus, Mary is the most holy (Conover, 2008, p.226)

      • Yunalesca, below Yevon, is most worshiped

    • saints are the most holy of men and can be called upon to intercede to God (Woodward, 1996)

      • fayth and summoners are called upon to face Sin

    • people are inherently evil (Romans 5:12)

      • the world of Final Fantasy X must atone for its sins

    • requires prayer to God (Luke 18:1)

      • the people must pray at the temples

    • requires that the teachings of the Bible be followed (Exodus 34:14)

      • Teachings of Yevon must be followed

    • afterlife consists of heaven and hell (Mark 9:42; Romans 2:6-8)

      • there is an afterlife called the Farplane which is beautiful and suggests a heavenly state

    • requires belief in Jesus for salvation (John 11:26)

      • requires that the world of Final Fantasy X put its hope in its summoners

    • dying for the sake of the faith is good (Matthew 16:24-25)

      • summoners and fayth die for the sake of defeating Sin

  • Shintoism (according to Naofusa, 2006, "Shintoism," 2012, "Shinto At A Glance," 2011, and Shinto Online Network Association, 2006) 

    • no explanation of world creation

      • the world of Final Fantasy X has no world creation story

    • to quote Disney's Pocahontas, "Every rock and tree and creature has a life, has a spirit, has a name."

      • which might help explain how pyreflies make or assist in making so many forms of life

    • worship largely takes place at shrines

      • worship largely takes place in temples

    • religion based on rituals

      • prayers, and sendings

    • identity is based on ritual (you follow Shinto because you partake in ritual)

      • in the world of Final Fantasy X you pray and don't use machina

    • rituals are often purifying or exorcising in nature with the exception of life passage ceremonies such as weddings

      • sending and prayers are often purifying in nature

    • primarily localized religion (deities are spread all over Japan and different deities are worshiped in different ways)

      • each temple has a different aeon

    • shrines (at least to begin with were)/are not open to humans

      • the cloister of trials and chamber of fayth are not open to just anyone

    • has ethical principles but no commandments

      • Yevon does not teach morality

    • no afterlife

      • the Farplane (as it is experienced in Guadosalam) is not a place where the spirits of the dead roam

  • Buddhism (according to "Buddhism," "A Basic Buddhism Guide: Introduction to Buddhism," and "Buddhism At A Glance," 2009)

    • no explanation of world creation

      • the world of Final Fantasy X has no world creation story

    • focus on personal spiritual development

      • the world of Final Fantasy X must atone for its sins

    • goal is to achieve nirvana

      • may explain why Farplane is only place of afterlife

      • the rare chance of achieving nirvana is similar to Yunalesca's point that the world of Final Fantasy X has little (if any) hope of achieving such purity

    • no belief in personal god

      • Yevon is not called a god

      • followers do not have personal connections to Yevon

    • "life is both endless and subject to impermanence, suffering and uncertainty" ("Buddhism At A Glance," 2009)

      • the latter three might be connected to the effects Sin has on the world of Final Fantasy X.  Sin changes with each defeat, Sin causes suffering, the eternality of Sin's defeat is uncertain prior to Yuna's defeat of Sin.

    • "change is always possible" ("Buddhism At A Glance," 2009)

      • Sin could be defeated some day

    • people are reincarnated

      • may explain why pyreflies take so many forms

    • impermanence: nothing "lasts forever.  Our mistaken belief that things can last is a chief cause of suffering," ("Buddhism At A Glance," 2009)

      • may speak to why the world leaders have accepted the certainty of death

    • our sense of self comes from "temporary mental processes and events" ("A Basic Buddhism Guide: Introduction to Buddhism")

      • may contribute to pyrefly qualities

    • requires meditation

      • requires prayers

    • Ego 

      • as described by "A Basic Buddhism Guide: Introduction to Buddhism," Ego could be part of what inspired Sin

    • The cycle of rebirth

      • as described by PBS's "Buddhism," may inspire what causes the dead to become fiends instead of spirits on the Farplane

  • Confucianism (according to "Confucianism") 

    • ritual based

      • prayers and abstinance from machina mark Yevon following

    • no afterlife preached

      • the Farplane is the only afterlife

    • one should be loyal to the state

      • anyone that does not follow the teachings of Yevon are traitors

  • Hinduism (according to "Hinduism At A Glance," (2009) "Fast Facts on Hinduism," and "Nine Beliefs of Hinduism")

    • people are reincarnated

      • may explain why pyreflies take so many forms

    • people can be freed from cycle of incarnation

      • the world of Final Fantasy X can be freed of Sin

    • ​the guidance of gurus are needed for salvation

      • summoners must guide souls of the dead to the Farplane

    • there is a supreme god

      • Yevon is almighty

    • worship held in temples and home shrines

      • worship is held in temples

    • all life is considered sacred

      • this is why fiends are fought and summoners are valued

With the religious principles connected, the remixing began, and SquareEnix added some of its own beliefs into the mix.  Once the founding principles were decided upon, then the appearances were remixed and constructed into a new form.

Yuna looking at her parents in the Farplane

Emblem

Seymour in a cloud of Pyreflies

   In the emblematic image, Seymour has deconstructed his companions, turned them into their base element, and remixed them into his fiend form, which has just the right level of recognizability without it being an exact, or near exact, replica of Seymour as he's been seen thus far.

 

    With regards to the questions, "Where is the line of offense (and how do I, as a writer, avoid it)?" this image suggests the same thing that the career discourse did, like Kimahri's lance, I can't avoid offending people.  However, because Kimahri is the only member of the party to attack Seymour in this scene, it suggests to me that deconstructing controversial subjects before remixing minimizes the amount of attack.  Additionally, this image suggests how I should respond to the offended party.  Theoretically, Seymour could have tried to pull the pyreflies out of Kimahri or attack Kimahri with his own strength, but instead he chose to pull the pyreflies out of his followers.  To me this symbolizes how I should garner assistance from supporters in forming a response.

     One problem with this image (which I might consider to be a punctum) is that the author/remixed work is represented by the game's villain.  Because of this, it suggests that, while my theories about how one can "avoid" the line of offense may be true, enacting them is not "good."  Other than the fact that the world needs to be offended sometimes, I'm not sure why this strategy would be considered "bad."  As far as I can tell, because Final Fantasy X used this strategy, many gamers have become curious about other religions, as the number of views on the following videos may imply.

    To this date, The Game Theorists (MatthewPatick) YouTube channel, has 1,926,910 subscribers and the "Game Theory" series on this channel have videos that have earned between 60,808 and 3,829,925 views.  On this channel, the video related to religion (and Final Fantasy) with the most views was this video, which earned 1,544,619 views.  This video also appeared in third place when I sorted the results of a YouTube search for "religion video games" by most views.  The videos that surpassed The Game Theorist's episode were, Cinemassacre's "1. Bible Games - Angry Video Game Nerd," which has earned nearly 7 million views, and LeFloid's "Verkauf DEINER Fotos! - 18 Köpfe auf Flughafen gefunden! - Religion VS Moral!" which earned a little over 2.5 million views.  Earlier Game Theorists videos on religion, mythology, and Final Fantasy, produced by a partner of the series, Gaijin Goomba (who has a separate channel with 110,881 subscribers and videos that have a view range of 8,522 to 273,903), earned between 348,050 and 492,227 views.  The video with 492,227 views appeared as the sixth result in the "religion video games" YouTube search, and was preceded by two other Game Theorist videos ("Why Ocarina of Time Offended Muslims"-1,020,679 views and "Are SMITE's Goddesses Too Sexy?"-1,014,542 views).   While these numbers aren't particularly large compared to some viral videos, they are still significant.

     Through the games referenced by these videos and the views (and the comments) on these videos, discussions about religion and world cultures have been started.  Because of these discussions, more people are becoming aware of the beliefs of different cultures, which can lead to better decisions when dealing with culturally sensitive materials.  Because I view this as beneficial, it is difficult for me to see how the remix method that Final Fantasy X employed would be considered "bad."  At most, I can see where this increased communication could lead to a new or pseudo-religion that is accepted by all (and thus creates a semi-unbreakable and theoretically unchanging hegemony) but until more proof can be provided that this increased communication will undoubtedly lead to such, the fears seems unwarrented.  So again, I don't really know what is to be meant by having the villain represent the remixer/remixed in the emblematic image.

drawing of Seymour and Kimahri's location in this scene

     While these interpretations of the emblem with regard to my questions may be valid, I need to take a step back to apply a different interpretation.  Ulmer (2003) says that "[t]he point [of the mystory] is not to tell people what to do, but to promote a more creative culture."  As such the emblem should not be a perscription, but symbol of the "look and feel" of the mystory.  If I examine the pyrefly as my emblem, then the look and feel of this mystory can be described as ambigious, but pretty.  To an extent, I can see where this is true.  My burning question, while important to me, was not strongly linked to an emotion other than, perhaps, curiosity.  To take full advantage of the mystory medium, this question should have been more closely linked to an emotion.  Without this emotion, this mystory becomes something pretty (and perhaps useful), but does not, by itself, fit in the Entertainment practice of Electracy.

Seymour in a cloud of Pyreflies

     However, according to the emblematic image, this mystory also has some strong, violent feelings as well as a dark and messy "look."

(Arroyo, 2013 p.8)

I'm not sure how this mystory could be considered violent, but through the process of developing this mystory I have experienced some violent moments.  These moments were primarily caused by the constraints of a deadline that I did not want to face and the constraints of Wix's website builder, which cannot inform me about the obvious spelling and grammar mistakes I've made and cannot automatically wrap text around images.  While the constraints of Wix's website builder accounts for some of the design based messiness, there is another kind of messiness that this image might be referring to.  While the deadline for this mystory was getting to be only a few days away, I reread and tried to tidy up the content of my discourses.  The career discourse was particularly difficult for me to work through, and it still is very messy.  Much of this messiness can be attributed to the poor choice to document the invention of remix.  As I do not have time to research another invention, this discourse will need to remain as it is and thus this emblematic image will stay the same.  I did not plan to end on this dark note, but that is what this emblem has called for.

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